April 20, 2008

What is your favorite online "affinity space"?

Cross-posted at the Classroom 2.0 forum.

An affinity space is any place (virtual or physical) that ties people together based on a mutually shared interest or endeavor.

For me, it would have to be the "mommy" blogs that I read daily. I've got about four where I lurk and occasionally comment. I am really inspired by the way these women merge their varying interests in politics, civics, and, of course, technology, with the everyday challenge of parenting. I am even thinking of starting my own mommy blog as the birth of my second child is quickly approaching in mid- to late-June. It's time to start adding my voice to the conversation, and the lazy days of summer seem like a good time to undertake this project!

What is your favorite online affinity space?

My question is inspired by a book I recently finished reading, New Literacies: Everyday Practices and Classroom Learning by Colin Lankshear and Michele Knobel. It was assigned reading for a spring semester seminar on multiliteracies, and it has given me a lot to think about.

The authors' basic purpose is to shed light on the concept of "new literacies," and to invite educators into conversation about "how the new might best be brought into a fruitful relationship with the already established."

The last chapter is a recommendation or challenge of sorts to readers. Lankshear and Knobel think the first step toward merging conventional schooling and the world of new literacies (remix, blogs, podcasts, social networks, mobile technologies, and so on) is for educators to actively pursue firsthand experience with the social practices of digital "affinity spaces," a term borrowed from James Paul Gee.

I am posing this question to the Classroom 2.0 community as well. Classroom 2.0, an international social network of educators interested in collaborative technologies, certainly is an example of an affinity space. But I was wondering about other virtual "hang outs" enjoyed by CR 2.0 members, places perhaps that are not defined by professional interests and obligations but more by hobbies, passions, or guilty pleasures.

And, if you are an occasional or even accidental reader of this blog, the question probably applies to you, too!

So, reader, where do you participate on the Web when you are not consumed with work, school, business, or other obligations? And do your interactions and exchanges within digital affinity spaces intersect with and inform your views and vision for education?

For more reflections on the challenges and opportunities presented by multiliteracies, read my other posts on New Literacies, mindsets, and mashups.  More to come!

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April 17, 2008

YA Lit 2.0

Cross-posted at the Media Literacy Ning and Classroom 2.0.

This is the last in a series of posts about things we can do in honor of Support Teen Literature Day 2008, which is today, April 17.

In previous entries, I've discussed book talks and read-alouds and blog-based literature discussions. These and many other activities are featured at the official teen lit day wiki presented by the Young Adult Library Service Association (YALSA).

The wiki offers more than 30 things to do in celebration of young-adult (YA) fiction. Additionally, the YALSA homepage links to a wealth of YA booklists and professional development opportunities for teachers and librarians.

As I first perused these resources, I was reminded of just how influential YA has been in my own reading life.

And I was also struck by the utter transformation that has occurred within the YA genre since that summer, more than 25 years ago, when I made the profound and life-changing leap from children's author Beverly Cleary to Judy Blume, the celebrated YA author who wrote Are You There God? It's Me, Margaret.

For one, the options, in terms of authors and titles, have increased exponentially. The topics and subject matter are also darker and edgier, with more potential for cross-over appeal among adult audiences.

But without a doubt, the most profound change is technology driven. Digital technologies are transforming the very nature of what teens read as well as how they read. From within computer-mediated environments, youth can discuss, nominate, and vote on their favorite new YA titles, participate in surveys, and even chat in real-time with YA authors and readers from around the country.

I remember reading Judy Blume for the first time. I was maybe 10 years old and felt so privileged and so awakened to the fact that books could serve as more than a pleasant diversion from life. Books could also be topical and relevant to my own life and experiences. Wow!

I devoured Blume before moving on to other authors -- Betty Miles, Paula Danziger, S.E. Hinton. My favorite, dog-eared books might have been called "feminist fiction for girls," with female protagonists in various stages of social, emotional, and physical development -- all the typical pubescent pangs.

Good stuff. I was engaged, and I stayed engaged until right around the start of high school when I gave up YA almost entirely to take up the "serious reading" of a college-bound student. I did not resume true pleasure reading again until well after college, in my mid-20s.

How much richer my reading life might have been had I had the opportunities that youth have today to connect, communicate, and form communities around favorite titles and authors, to possibly even interact in real-time or asynchronously with the authors themselves.

In the 2006 article YA Lit 2.0: How Technology is Enhancing Pleasure Reading, author Anita Beaman documents the impact of web-based and interactive technologies on how modern teens read for enjoyment.

Citing the work of Eliza Dresang, who in 1999 wrote Radical Change: Books for Youth in a Digital Age, Beaman highlights how books for children and young adults have evolved new formats such as novels in verse, screenplays, multiple narrative perspectives, and graphic novels.

Beaman writes, “It was becoming obvious that the mouse-click generation was going to be looking for something new in print.”

She goes on to present evidence that, contrary to conventional wisdom, adolescents are reading, especially when given opportunities to reach out to authors and other teens in media-rich, interactive environments that include email, blogs, iTunes playlists, and MySpace pages.

This is the new playing field -- YA 2.0.

Asserting that "YA Lit 2.0 is a sign that books and reading remain relevant to teens in a digital world,” Beaman concludes with advice to librarians who want to develop programs that are relevant to teen readers: download the playlists, read author blogs, create blogs, visit MySpace, and “share the entire reading experience” with teens.

For Beaman, a high school librarian, the implications are clear: if librarians want to be taken seriously, they must revitalize their programs and immerse themselves in these digital environments, right alongside the teens.

Certainly, any literacy educator would do well to heed this advice.

What do you think?

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April 15, 2008

YA literature and blogs

Cross-posted at the Media Literacy Ning and Classroom 2.0.

This is the second in a series of posts about Support Teen Literature Day 2008, which is April 17.

Sponsored by the Young Adult Library Service Association (YALSA), teen lit day is intended to support librarians in their efforts to raise public awareness about the value of young-adult (YA) fiction, but I think any YA fan will find inspiration among the more than 30 ideas for supporting teen literature listed at YALSA's wiki.

Suggestion #7 deals with book talks, a topic I took up in yesterday's post.

I also am intrigued about the tremendous potential behind idea #27: create a YA book discussion blog.

I recently completed a review of the literature on web-based and social media in the secondary language arts classroom. One theme I explored was the pedagogical benefits of using blogs to enhance traditional practices such as writing instruction and literature discussion circles.

There is ample research evidence to suggest that blogs and other web-based media can breathe new life into that tired, old classroom staple known as the book discussion. In a 2003 English Journal article Will Richardson documented his first foray into classroom blogs, which involved students in his Modern American Literature course who were studying a best-selling, contemporary novel The Secret Life of Bees.

Richardson wanted to extend discussions of the novel by giving students time to reflect and comment on classroom activities. To that end, he set up a centralized class blog and asked students to post reflections and add quality comments to others' reflections as well.

During the project he observed increased motivation and improved close reading of the text by students. The blog provided another dimension of assessment by allowing Richardson to see the extent to which students were following along with oral discussions in class. Ordinarily reticent students opened up and articulated thoughts more easily on the blog.

In a notable departure from literature discussions held in real time and space, blogs make it possible for real-world, authentic audiences to join students in conversation.

Using web space provided by the National Writing Project, Shelbie Witte devised the “Talkback Project,” a collaborative blog in which preservice English teachers and middle school students discussed young adult novels. (See Journal of Adolescent & Adult Literacy, October 2007.)

After a few refinements, the Talkback Project flourished in its second semester, with student effort and collaboration exceeding Witte's expectations: “The middle school students appreciated the preservice teachers' thoroughness and the time they were spending to respond to their questions and reflections about the texts.” Word about the program quickly spread, and a father stationed in Iraq began reading the novels and contributing to his son's weekly blog discussions.

Richardson also reported on the ease with which others outside his Modern American Literature class could engage in conversation with his students. Parents and even the author, Sue Monk Kidd, contributed to the discussions and enriched students' understanding of the novel. Richardson wrote, “In many ways, the Web logs allowed them to see the work in a real-world context, not just as a classroom exercise."

Authors and publishers are getting in on the act as well, harnessing Web 2.0 tools and platforms to create interactive environments for YA fans. More on this trend in my next post.

What do you think of supporting literature discussions with blogs?

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April 14, 2008

Support Teen Lit Day 2008

YALSA logo


Cross-posted at the Media Literacy Ning and Fireside Learning.

Support Teen Literature Day, sponsored by the Young Adult Library Service Association (YALSA), is April 17.

From the wiki:
Librarians all across the country are encouraged to participate in Support Teen Literature Day on April 17th, 2008, by hosting events in their library or through their web site on that day. The purpose of this new celebration is to raise awareness among the general public that young adult literature is a vibrant, growing genre with much to offer today's teens.

Although I am not a librarian, I am a lifelong fan of young-adult (YA) fiction, and I was inspired by the more than 30 suggestions for celebrating Teen Lit Day listed at the wiki. So, for the next several days, I will devote space in this blog to thoughts, ideas, and reflections on YA and how it is being repositioned within the realms of multiliteracies and Web 2.0. (See the YALSA site for a variety of booklists, including "Quick Picks for Reluctant Young Adult Readers" and "Outstanding Books for the College Bound.")

One way to celebrate YA -- or any book, for that matter -- is through a book talk.

A key component of a good book talk is the moment when the presenter reads aloud a passage from the text. In addition to attracting readership in the same way movie trailers attract an audience, read-alouds are a research-based strategy for improving fluency, timing, and expression traditionally used in the primary grades.

In Yellow Brick Roads: Shared and Guided Paths to Reading 4-12, Janet Allen presents an argument for reading aloud to older youth, particularly struggling adolescent readers: "All students, regardless of age, deserve the opportunity to see the story without struggling with the text. . . . For students who struggle with word-by-word reading, experiencing the whole story can finally give them a sense of the wonder and magic of a book."

YA literature, a genre often credited with capturing the attention of at-risk readers, when coupled with book talks and read-alouds, is a promising avenue by which we might convince youth that print-based texts are as relevant, enjoyable, and interactive as their favorite digital texts and electronic media.

Mr. Swanson, my 4th grade teacher, read to us every day as we ate lunch in the classroom (our school did not have a cafeteria). He read mostly longer selections that would fill the lunch period, and he often read chapter books (a chapter a day). He took student recommendations, too. One kid recommended Harriet the Spy. I ended up checking out that book and The Incredible Journey and reading them on my own after the fact. These experiences fed into a lifelong habit of pleasure reading.

And that's what I think. What do you think about YA literature, book talks, and read-alouds?

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April 10, 2008

21st century mentoring

I just completed an independent inquiry on the implications of Web 2.0 on mentoring and induction of new and novice teachers. The project spanned two semesters, and I learned a lot.

I am posting the final report in PDF. I also have a companion wiki, which is still in development. Stop by for a visit and tell me what you think!
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March 17, 2008

For crying out loud!

A longstanding critique of instructional technology is our penchant for adopting whizbang tools only to reinforce traditional pedagogy rather than transform it. Technology interventions in the classroom often bear the mark of "old wine in new bottles."

Here is the best evidence to date: a March 16 New York Times feature on the increasing use of amplification systems in U.S. classrooms.

So all that handwringing over how to transform instruction so no child is left behind was for nothing? The children simply weren't hearing us?

Here is one particularly troubling passage from the article:
The West Orange district [in New Jersey] decided to require amplification after seeing the first-grade reading scores at one school, St. Cloud Elementary, skyrocket to 89 percent at or above grade level at the end of the 2003-4 academic year, from 59 percent before teachers started speaking into microphones.

“That got everybody’s attention, as you can imagine,” said Karen Tarnoff, the district’s testing coordinator. “There was nothing else over the course of the year that was different than in any other year. The teachers and the curriculum remained the same, and nothing new was added other than the amplification system.”

But, of course! Test scores are what drove the reform! (The reform, by the way, comes with a price tag of $1,000 to $1,500 per classroom.) What is even scarier is a testing coordinator who brags that nothing changed in her district for an entire year in terms of evolving instructional practices or curricular approach.

Thankfully, other perspectives are represented in the story. David Lubman, a fellow of the Acoustical Society of America, calls it for what it is: a "triumph of marketing over science."

What do you think?

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March 12, 2008

My first lil' mashup

The assignment seemed a little old-school: simply make a PowerPoint presentation and embed a sound clip. Come on, do I really have time for this?!

But it was a way for our professor to engage us in a rudimentary form of "remix" and "mashup," common practices among youth that were mostly unfamiliar to us teachers enrolled in this semester's reading education seminar on multiliteracies at the University of Tennessee-Knoxville. For that reason, I could appreciate the professor's pedagogy: giving a purposely unstructured assignment with minimal parameters and setting us free to playfully explore the potential and pitfalls of computer-mediated content creation.

Still, as you will see, my resulting slideshow (or "screencast"), is decidedly teacher-centered and bears that unmistakable corporate imprint that only PowerPoint software can convey -- so clean, so slick, and oh so sterile. (The 2-minute, 30-second presentation is designed to be a conversation starter for teens and teachers about the obstacles and opportunities involved in "growing up digital." It also ties into a thematic, annotated reading list I compiled on the subject of digital literacy.)

Nonetheless, I am proud of my lil' mashup for three reasons:
  1. Although I did rely on the ubiquitous and wholly familiar PowerPoint application, I prepared my sound clips using Audacity, a free, open source, cross-platform audio editor. Through trial and error, I learned to import and edit music files, cut and paste sound clips, and export a wav file, essentially creating the "soundtrack" for my slideshow.
  2. To push my content out to the wider Internet audience, I used a free Web 2.0 application called SlideShare. SlideShare enables users to upload PowerPoint slides and create a product that is truly replicable, shareable, embeddable.
  3. Before I could turn my uploaded slideshow into a "screencast" with synchronized music, I had to convert my wav file into an mp3. For this operation, I tried a free demo version of Switch Sound File Conversion Software.

Whew! All this without benefit of teacher, textbook, user manual, or live help desk. Just experimentation with a bit of obsession thrown in.

My biggest take-away? The amount of time and dedication it took for me to undertake this style of self-moderated, trial-and-error learning. These are the new literacy practices that many young people regularly engage in outside the confines of the traditional classroom. Amazing!

Overall, I am pleased with the results. What do you think?





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